Thursday, August 29, 2013
Tuesday, August 20, 2013
ACCESS, A three-man show, next week, August 28, 2013, Wednesday!
Along with the hopes of a sunny day, catch
ACCESS, a three-man show featuring Nemo, Blic and Bato, in Vinyl on
Vinyl next week, August 28, 2013, Wednesday!
For now, stay safe everyone!
For now, stay safe everyone!
Communication has been the main soul of connection with one entity to another. A reality that enrich two edifice upon understanding each aspect involved; common goals, philosophy, feelings and other more complex matters such as religion and politics.
Language have been the contrivance for communication, conversing of people with each other made a bond on unifying insights and ideology, creating vast power that inhibits ties with each other. Art is also one bridge on this connection, from the artist's perspective to the interpretative minds of the viewer, color combination as well as intensity, the brightness of each stroke, the thickness and impact of lines, the vast meaning that will be processed within our brains upon experiencing these connections.
Three street and graffiti artists namely; NEMO, BLIC and BATO, members of Pilipinas Street Plan (PSP), merged to showcase these type of connections, with the sole reason of providing ideas as well as thoughts on what was happening within each one of them, different interpretation of their art, from their experiences on life as well as on streets, their ephemeral beauty which will provide the key to the doors of their creative and playful minds. Experience, translate and connect:access.
Sunday, August 4, 2013
Thursday, August 1, 2013
Wednesday, July 31, 2013
HERAKUT in MNL!
The popular German street art duo is coming to make their mark.
August 7 – 10, 2013
Beauty is a Sanctuary exhibit by HERAKUT. Presented by
Vinyl on Vinyl and Fully Booked. August 8, 7pm VOV
HERA + AKUT = HERAKUT.
Herakut is a symbiosis of the aliases Hera and Akut, two
graffiti artists from Frankfurt and Erfurt, Germany. Their collaboration
started when they first met in 2004. Both were invited to paint at the Urban
Art Festival Sevilla in Spain and before that time had only seen each other’s
work in graffiti magazines. To everyone and themselves it was clear that
despite the fact they both focused on character painting their styles had
nothing in common whatsoever. And that has not changed a bit.
The differences in Hera’s and Akut’s ways of approaching art and
the painting itself are vast. Akut started doing graffiti at the age of
fourteen with no artistic background. The photorealism he spray paints today is
self-taught and needs a bundle of preparations consisting of a concept that has
been mapped out on the computer, high resolution photo-material and a
predefined assortment of aerosol paints. If this is all set, Akut patiently
assembles his characters dot by dot with one eye on the concept, the other on
the wall, while blending out everything else.
Hera in contrast thinks that preparing a piece is to handcuff
yourself. It ties your perception to the sketch and allows no space for the
influence of the surrounding atmosphere or any immediate response to the wall
as a very individual medium to paint on. Different from Akut who had
experienced graffiti closely connected to the hip-hop culture, Hera just felt
the urge to work big-dimensioned when she originally started to paint on walls
in 2001. Therefore none of the unwritten rules and restrictions of the
established graffiti scene had an impact on her work although another mental
boundary did: As reaction to years of strict education of artistic techniques
which Hera had received as a child, she today demands as much freedom as
possible for intuition and spontaneity in a painting.
Two hardbound books documenting their work have been published and
sold more than 10,000 copies. “Herakut – The Perfect Merge” in 2009 and “After
The Laughter” in 2011. Approached as works of art, Herakut devoted themselves
to every detail of each book, from layout and paper selection, to hand drawn
details.
Herakut will be in Manila this August. Their schedule of
activities is as follows:
August 7 Wednesday
4:30 pm to 6:00 pm
Artist’s Talk and Q&A*
Faura AVR, Ateneo de Manila University
This talk is open to the public and requires pre-registration.
Please register here: http://goo.gl/6c3af2.
August 8 Thursday
2:00 pm to 4:00 pm
Artist’s Talk and Q&A*
SDA Cinema, 12/F SDA Campus
De La Salle University – College of St. Benilde
This talk is open to DLSU-CSB students only.
7:00 pm onwards
BEAUTY IS A SANCTUARY
Exhibit Opening and Book Signing
Vinyl on Vinyl, The Collective
August 9 Friday
3:00 pm onwards
Watch HERAKUT paint a mural in the design section of Fully
Booked.
The Bridgeway, 3/F Fully Booked Bonifacio High Street
August 10 Saturday
3:00 pm onwards
Live painting with HERAKUT and Anjo Bolarda, Rai Cruz,
and Gabby Tiongson
Bonifacio High Street
This event is presented by Fully Booked and Vinyl on Vinyl.
RUNNING EXHIBIT: Homemade featuring the Abrigo brothers
Collaborative Emergence and the environment that surrounds it. By
applying various sociopolitical and cultural themes such as urban decay
resulting in poverty, overpopulation, and homelessness, the artists along with
their individual styles create visual tension in an attempt
The brothers Buen, Kris, and Frances Abrigo aim
to present their own interpretations of craftsmanship as influenced by the
physical form that constitutes the house
to represent how those issues challenge
creativity. They are highly influenced
by the improvisational culture that is brought
about by that which is inevitable--
the force of mother nature and that which is
uncertain--humankind.
As true craftsmen and masters of improvisation, the brothers
construct their art using the same carpentry techniques that are applied when
building a home. Individual styles brought about by different artistic
influences are curiously merged to depict the invention of emerging thought
patterns.
Opposing elements such as calculation and improvisation allow
the artists to explore the infinite possibilities of their craft using various
materials related to homebuilding such as wood and paper. The calculated risk
in the physical form is evident in
each art. Static images playfully translate into 3 dimensions as
an attempt to develop visual representations of intuitive motion. Finally, the
involvement of artistic simulacra in the intentional use of distortion is used
in an effort to reveal the obscure
truths in our society.
-Jill Adolfo
Thursday, July 25, 2013
Subscribe to:
Posts (Atom)






