Ramona Dela Cruz-Gaston's painted mandalas are kaleidoscope-like tessellations that swirl with radiant colors. In her first solo exhibition, the artist meditates on the drama of womanhood and the journey from maiden to mother.
She navigates the technical difficulties of the mandala, a form of sacred art, and organizes her personal iconography into hypnotizing geometric designs. Her meticulous canvases swim with symbols, bounded always by the strict symmetry she imposes on herself. The mandala is her way of taking control and making sense out of chaos.
Influenced by Art Nouveau, an architectural movement inspired by organic forms and curved lines, Dela Cruz-Gastonís signature is unapologetically feminine and emotional. Also leaving indelible marks on her practice are Frida Kahlo, a bold and fiery personality known for her self-portraits, and Patrick Woodroffe, beloved by science-fiction readers for his dreamlike book cover paintings. Combined, these forces have contributed to the vivid rendering of Dela Cruz-Gastonís surreal canvases.
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